I also build custom electric basses and guitars under the brand name Drew & Sebastian Custom Guitars ( I play bass in a band called drumfish, which is based in Northern Virginia ( What did we miss?
#Fender musicmaster pickup plus#
#Fender musicmaster pickup how to#
The previous owner who dismantled it wasn’t able to figure out how to put it all back together again!!Īny notable bassists (other than yourself, of course) play the same instrument/use the same gear?Ĭolin Moulding of XTC, Jim O’Rourke and Kim Gordon of Sonic Youth, Dee Dee Ramone of The Ramones, Alan Lancaster of Status Quo.Īny special history or story behind this instrument or the company who made it? What’s your favorite story about the gear?
The replacement pickup by Wizard Pickups is made specifically for these basses, and it makes this bass sound absolutely amazing. I obtained a new pickguard from a seller on eBay, the pickup is a custom handmade replacement made by Wizard Pickups in the UK, and the all-new electronics are two CTS 250k pots, a Switchcraft jack, vintage style cloth wire and a Sprague orange drop capacitor. Stock or customized? Give us all the specs!Īll stock, with the exception of the pickguard and electronics. The bass came to me as a box of parts which had to be reassembled. It was given to me by a friend who ran a studio in Orlando, Florida. Guitar technician and custom instrument builder Graham Drew shares his 1978 Fender Musicmaster Bass in this installment of Old School, and the story that goes with it. Squier reintroduced the Musicmaster briefly in 1997, replacing it a year later with the Bronco bass. Fender later offered many of the finishes offered on their other instruments as well.įender’s line of budget instruments was discontinued in 1981, when the company introduced the Squier brand. The bass was introduced with three finishes: black, white and red, with a few early issues painted in daphne blue and sporting pearl pickguards. Red-Mahogany was probably Fender’s answer to Gibson’s Cherry Red. Today these are scarce, as they were produced for only a month or two. Another variant was produced in the autumn with a single-ply dark brown pickguard. This was also a 30″ short-scale bass, the shortest production scale of any Fender bass. White Musicmasters and Duo-Sonics were fitted with a nitrocellulose tortoiseshell pickguard and white pickup covers. All of the electronics were mounted on a single piece of plastic.
The bodies were from the Mustang production line, and 6-pole guitar pickups were used instead of the standard 4-pole pickups used in basses. Also planning on getting some of that rust off the tuners and saddles and figuring out what to do with the nut.The Musicmaster was Fender’s budget-priced bass at the time, made from surplus parts from other Fender models. I'm planning on stripping the finish, smoothing out the body before adding a new nitro finish. The G string is resting in a minor crater and the A string is sitting a bit deeper than I like: The original nut needs a little TLC (or replacement). Some real-life relic rust on the tuners and bridge saddles: Whoever did the deed got a little eager with the rasp around the curves and edges. Seems like it's all original except stripped daphne blue finish and a '72 neck plate, likely added then it was refinished with some sort of semi-sticky clear coat that now smells of nicotine. The gray bottom pickup is dated 10/26/64 and measures 4.67k - kinda sounds like a '60s Strat's neck pickup! It's a really fun guitar, perfect for working on songs when you're switching between chords and pen and paper, playing on the couch - but it can also hold its own. I couldn't pass up this beat up lil' '64 Fender Musicmaster with a lovely ¾ neck dated Sep 64.
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